Archive for February, 2013

Today is a good day.  I finished off the fifth Realm of Battle board of the eight that I started a little over two months ago.  This board has thus far been by far the most challenging I’ve completed.  Both technically and creatively.  I remember at one point thinking I’ve arrived at the place where my vision and my technical ability no longer over lap.  I kept going though, determined to push myself and see what I started through.  I’m glad I did preserver too  because the final piece is my most pleasing to date.

I also have to point out that I’ve been doing some work on my photography skills and had some tutoring from my friend and fellow Blogger Troy on using Photoshop.  I went and downloaded photoshop and this morning Troy spend several hours with me showing me some basic techniques to improve the quality of the pictures that I post on my blog.  You’ll notice that they look different, although not perfectly the way I’d like them its a new direction for me and I intend on working on this skill and honing it moving forward.  Go and have a look at Troy’s blog too, its still model building just a different genre to ours.  I am working on him though you’ll all be happy to hear.  Thanks again for your help on this Troy and being so generous with your time.

So lets get down to business,  I’ll put up some pictures and leave a few remarks under each one and walk you through what went on.  Also, take a good look at the working photos to see what I meant.  It may not look like much, but a lot of work went into these pieces and I think I jagged bits of it too.

forge-world-realm-of-battle-cityscape-generatorum-sector-1The overpass of doom and spiral stair case of despair…  As some of you will remember one of the first boards I did was of a giant crane that I purchased for $35!!! (can you believe it!) from Toys’r us.  Well, when I built that crane I had two of the centre sections left and I always planned on using them on one of the other boards.  With the last board of the industrial precinct about to commence I thought it would make sense to use it somewhere on it, and seeing as it looked a bit like a walk way, I thought it would be interesting having it spanning over the large double lane road that runs through the centre of this board.  I knew one of the ends of the walk way would run into a building, however I had to really put my thinking cap on to work out where the other end would go.

One of the first technical challenges I had to overcome was the heights.  One end that went into a building was more or less governed how high it was going to be, in this case, on the second story of a three story building.  What made it difficult though was the foundation that the building was resting on, it was just a random height, and the other side was at street level.  So the building on the other side, even if it was a GW plastic kit, would not match up height wise and the walk way would be un-level.

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Enter the spiral stare case of despair.  Wow did this test me.  You can see in the working photos whats gone into it.  It was a real challenge.  But I have to say, it was an enjoyable one, at no time did I ever feel like throwing it against the wall and jumping on it.

Which is new for me.

The whole way I just would come up to another technical challenge and work out the solution…  I did do a fair few sketches too of this piece before I assembled it, I knew the height I needed it to be, then it was a case of just doing some math and a bit of straight forward planning and then following that plan.  However it was still challenging, and even with all my planning I wasn’t sure if it was going to go together when I finished it.  forge-world-realm-of-battle-cityscape-generatorum-sector-3

 

The final piece is the storage tank.  I really like this piece most of it is actually scratch built too.  It was great fun making it and looks awesome, remember when in doubt modelling add an Imperial Eagle, when in doubt painting add hazard stripes.  forge-world-realm-of-battle-cityscape-generatorum-sector-4

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Love this shotforge-world-realm-of-battle-cityscape-generatorum-sector-6

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So there you go.  I really hope you like the pieces and the new style of photos I’ve put up.  I’d be interested in hearing your comments too if you feel the urge to share your thoughts.

Until next time

John

So, four down now, four to go!  Half way mark, and oh boy am I feeling it…  It’s been a big job thus far.  This is the last of the two Concourse Sectors that I brought way back on 12 December 2012… It’s a little bit shocking for me to think that about two months ago these bad boys rocked up on my door step.  It’s been a bit of an obsession for me over the summer.

So far the boards that I’ve completed I’ve been very happy with, and this one is no exception.  This one is meant to be a Chaplaincy and some form of accommodation for the attendants of the Cathedral.  So I’ll let the pictures do the talking and make a few comments on each of the pictures to guide you through what I was thinking at the time, and as usual you can get more of an idea about the process from flicking through the working photos gallery at the bottom of this post.

Forge World Realm of Battle Cityscape Concourse Sector 1

I really wanted the larger of the two buildings, the accommodation block, to have a very distinctive feature so I went back through a few photos of cathedrals etc and found that certain types of places of worship have domes on top, so I thought it’d look cool.  I also made the roof line overhand the building facade, sort of like an eve.  I did this to help break up the shape of the building (a rectangle) and to allow the addition of the buttresses (pic below)  I didn’t want the roof to have a barrier on it, like all the other buildings featured, however I did feel it needed something, so I added a small hand rail with the eagle heads as the posts.  I think it makes an interesting look and I’m very happy with how it turned out.  For those that are interested the dome is a toy soccer ball.  I chose it because it was 1.  The right size, 2.  It had and interesting diamond pattern over its surface as opposed to being just smooth, and 3. It didn’t have any other features embossed on it, like a manufactures mark, random shapes or whatever.

You can see what it looked like before I painted it in the working photos gallery at the bottom.  I’ve still got the other half, so perhaps It’ll feature in some other piece of scenery on anther board (yes, I’m already planning another board when I finished with this one….)
Forge World Realm of Battle Cityscape Concourse Sector 5
Forge World Realm of Battle Cityscape Concourse Sector 4

Forge World Realm of Battle Cityscape Concourse Sector 3

Forge World Realm of Battle Cityscape Concourse Sector 2

Forge World Realm of Battle Cityscape Concourse Sector 6

Forge World Realm of Battle Cityscape Concourse Sector 7

As with other multi story buildings I’ve made, this one is also broken up into its various floors to make gaming with it easier…. If you look closely you can see small posts.  These are in each corner and key into the upper floor to make the building more stable when assembled.  Forge World Realm of Battle Cityscape Concourse Sector 8

Forge World Realm of Battle Cityscape Concourse Sector 9

One thing that I am really pleased with so far, but sadly you can not see, is the way the boards and buildings interrelate to one another.  The boards when all put together really are starting to look like a small city block, the different heights of the buildings, the features which distinguish them, the story they tell and the “conversations” they have with one another through the narrative I’m trying to create all enhance the effect and produce a result that is greater than the sum of its parts.

With just two more boards to do to give me a 6′ x 4′ playing surface so that a proper game can be played on them, I’m starting to get very excited and can now see the light at the end of the tunnel.  I have to admit though, I am now starting to want to paint some actual minis, however I’m just going to have to wait until I get the last few boards done.  I anticipate the pace of my updates is going to somewhat slow down come next week as my studies commence and it’ll be nose to the grind stone.  But we’ll see what happens.

Thats if for now, thanks for dropping in

John

Hey everyone,

Heres something to get you very excited.  My good friend, fellow blogger and painter extraordinaire who’s models have featured on the front page of Games Workshops blog found their way to The Painting Bunker today and we couldn’t help ourselves so we staged a few shots for your viewing pleasure.  I think you’ll agree with me in that these pictures look amazing.

We are actually planning on fighting the campaign from the Betrayal when I get these boards finished and have painted my World Eaters, so this is just a taste of things to come.

Behold!

Sons of Horus on Cityscape 1 Sons of Horus on Cityscape 2 Sons of Horus on Cityscape 3 Sons of Horus on Cityscape 4 Sons of Horus on Cityscape 5Hope you enjoy!

Cheers

John

Well, after getting back on my brief holiday over the weekend I got home with renewed vigour and enthusiasm to get my hobby on… and that I have.  Sometimes taking a break and total abstinence from hobby is the best thing to renew your interest.  So its now 3 down, 7 to go for the Realm of Battle boards.  Today I bring you the finished Forge World Realm of Battle Cityscape Concourse Sector.  As I’ve mentioned before I want these boards to tell a little story, not just be a disparate bunch of boards with buildings on them.   These two boards (I’ve got two if you remember) I see as the administration centres for the Shattered Cathedral.

This first one being the actual administration centre and a records storage depot or perhaps entrance to an underground archive…   With this building though I wanted it to be a line of sight blocker.  No windows, no damage or anything, just something that will clearly block LoS for 90% of the units that are used in 40k.

So enough with the yackaty yack, lets get to the pictures.

Forge World Realm of Battle Cityscape Concourse Sector 1

Another possible use for the smaller of the two buildings is use it in a scenario where its an objective and at the end of the game the controlling player gets some sort of deployment or initiative advantage in a game that features Zone Mortalis… nice.  Perhaps another purpose is that its an Adeptus Arbites (and friendly local Inquisitor) squad house, the Cathedral precincts local police station.

Forge World Realm of Battle Cityscape Concourse Sector 2

Forge World Realm of Battle Cityscape Concourse Sector 3Forge World Realm of Battle Cityscape Concourse Sector 4

Forge World Realm of Battle Cityscape Concourse Sector 5

Forge World Realm of Battle Cityscape Concourse Sector 6

Forge World Realm of Battle Cityscape Concourse Sector 7

Forge World Realm of Battle Cityscape Concourse Sector 8

Forge World Realm of Battle Cityscape Concourse Sector 9

I made the second floor of the Administration Building and roof of the Archive detachable to make using them in a game easier.  As usual (now) below is a gallery of all the work in progress shots of this build that I take along the way.  Feel free to have a snoop around to see how I do business.

Thanks for dropping in, I’m really looking forward to the next finished post I’ll be brining you.  Its the second Concourse Sector and it features a Chaplaincy and Chaplaincy Accommodation….  I’m really excited about it, it looks amazing and its not even painted yet!

Ok,  thats it for me for now

John

How to buy an Airbrush setup

Posted: February 9, 2013 in Airbrush setup
Tags:

So I had quite a busy week last week at work and didn’t really have any time to do anything other than wake up, eat breakfast, work, go home, eat dinner sleep repeat.  It was a really good week though, I like being busy and I got some amazing results, however it didn’t leave much time for hobby… which blows, hard.  It did however allow me to reflect on a few aspects of the hobby that I’ve been wanting to discuss for some time, however have been too busy doing my Realm of Battle Cityscape Board to have any time to write some posts about it.  So after a seriously busy week at work I’ve decided to take the weekend off head over the Stradbroke Island to get my chilax on, recuperate and enjoy the remaining warm weather before Autumn arrives shortly.

This is the view from the place I’m staying at…  perfect northerly view over the Pacific Ocean…

outlook

Over the past few weeks I’ve had quite a few questions on Airbrush set up, what one to buy, where to buy it, what else you’ll need and so on.  The amount of confusion on this topic was made even more apparent to me when I did an Airbrushing tutorial at the ADFWGA Championships in 2012 to raise funds for Legacy.  Many, if not all of the participants were very keen to learn about how to use an Airbrush, however I realised that more time needed to be spent discussing the considerations when investing in an Airbrush to make a positive advance in your hobby results.  There seems to be lots of good, and not so good ideas out there on what is a sound way forward on this topic.  As always with these things too, its the questions not asked which are often the most important so I want to look at a few of these too.

My aim with this post isn’t to impart practical skills for using an Airbrush, perhaps that will be a post for another day.  My aim with this post is to help you to choose and set up as best as possible Airbrush kit that you can use and maintain for many years and bring your hobby result to new, higher standards.  This post is aimed more for hobbiest who have not yet bought an Airbrush, or for someone who has, but is still getting mediocre results from using it due to not understanding how to set it up properly.

Because of my background, I’m a big believer in quality training.  It’s where everything should start.  It ensures that you don’t develop poor habits or beliefs and also puts your learning curve on a steeper gradient as (hopefully) the person(s) delivering the training have already made lots of mistakes or are drawing their training on people who have already made lots of mistakes and can give you best practice, or as a minimum, a solid foundation for you to build your own experience base.   You can put the finest instruments in the world in the hands of someone who’s had no training and the results will be a botch, however you can put poor to average instruments in the hands of a competent well trained professional and that person will produce a masterpiece, or at the minimum a result well above the standards of most.   So before you do anything, get some training on how to Air Brush.

When I was in high school, my school offered to seniors one afternoon a week where you could go to a tertiary learning institution (community college, TAFE) and do short courses on basically anything you like.  Not being terribly interested in school, rather than further my academic credentials I decided to further my hobby skills.  So I did a 6 week Airbrushing course.  It was the best thing I ever did for my hobby and the skills I learnt from that course have served me very well over the years.  The great thing about these courses is that you get good quality instruction, all the materials, including the Airbrush are supplied and the training consists of theory, that is then put into perspective through practical application.  I can’t remember how much it cost, but it was less than $200 and gave me a solid foundation that I have built on considerably since then.  I would strongly urge you to consider some form of recognised formal training (YouTube doesn’t count!) on Airbrushing before embarking on purchasing one for your own use.

So now you’ve done that, the next thing to do is delve into the confusing world of buying your first set up.  To break things down a little more, I’ll discuss the five components of what you need to have a quality, thorough set up at home.  I would urge you to consider acquiring all of these components, not just the last two.  Those five components are:

  1. Painting Area
  2. Maintenance Supplies
  3. Painting & Mixing Accessories
  4. Compressor
  5. Airbrush

So let’s look at each component in more detail.

The Painting Area  

Ideally this should be a permanent place where you can paint.  Why?  Well Airbrushing is a very equipment intensive aspect to our hobby and all the items you need to use take up space.  A small table will do the job, and it needs to have good natural or artificial light with a window close by.  A very important feature of any quality Airbrush set up is a spray booth.  The two main reasons why you should have a spray booth is to stop overspray going everywhere, and to assist in removing airborne paint particles from the immediate vicinity of the subject (the thing you are painting)  The one I use has an extraction fan with a flexible hose that I have ducted out a window.  It also has a series of filters that prevent paint particles clogging up the extraction fan.  It also has a small turntable which allows me to put my subject on and move it about without having to touch it.  As you can see from the picture, my area isn’t big and doesn’t take up a lot of room, and nor should it, but it is functional.  I’ve got my spray booth, an area above it to keep useful items, a turn table and a clear space off to one side to set my subject down before and after its been painted.

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This is the spray booth I use, depending on where you get it, it’ll cost around $200 – $250  There are others on the market too which are collapsable so if you can’t set it up in a permanent location it can be moved and packed up.  The key point is that its a suitable workspace for Airbrushing that safely and effectively removes overspray.  The other good aspect to using a spray booth is that other members of the household (specifically the Trouble & Strife) will like it as it makes a dramatic improvement on how much overspray ends up where it shouldn’t.

Maintenance Supplies

This is one area of using an Airbrush that I see most new users run into problems.  Like any instrument, be it a car, a bike, a piano or fishing rod, if you don’t maintain it properly it will let you down no matter how well made it is.   Below is a list of items you’ll need to properly maintain your new Airbrush.  Before I go on, I’m a big fan of automotive stores, they contain all manner of useful stuff we can use, so if I put AMS after an item, that means I buy it from there (its generally WAY cheaper too than from a specialty hobby supplier).

  • Brake fluid in a tightly sealed lunch box sized container – Brake fluid is an interesting substance, it will remove paint, however it wont damage or degrade rubber.  This is very important for an Airbrush as within all Airbrushes are very small rubber seals that once damaged or broken will seriously degrade its performance.  When I want to thoroughly clean my Airbrush after a big painting session, I strip it down (including the nozzle) and place all the parts that came into contact with paint into the brake fluid bath.  I’ll leave it there for a few hours and then remove it, and with the items listed below (tooth picks, cotton tips, toilet paper, tooth brush, and specific Airbrush cleaning brushes) I’ll clean excess paint from the Airbrush. I get my brake fluid from an AMS.
  • Tooth Picks – I use these to get into all the fine areas where paint accumulates on an Airbrush.  You can use metal picks etc (such as dental tools) however I’ve found that the hard metal picks available tend to damage or scratch the fine internal details of an Airbrush.  Wooden tooth picks are the go, plus they have tonnes of other uses in our hobby too, such as mounting fine parts for, you guessed it, painting.
  • Cotton Tips –  Again, good for getting into hard to reach places that you don’t want to scratch or damage.
  • Toilet Paper – for wiping off parts and cleaning up minor spills.
  • Airbrush cleaning brushes – They look like very fine pipe cleaners, a good set has about five different sizes and will last for the life of the Airbrush.

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  • Table top cleaning station – This is basically an empty glass jar with a lid on it that you can put the end of the Airbrush into and use it to “blow out” colours between colour changes.  This keeps the Airbrush clean during a painting session.  Make sure there is no paint, or fragments of dried paint whatsoever in the Airbrush between colours.  Dried fragments of paint are the single biggest cause of poor performance with an Airbrush.

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  • Wash bottles – I use three.  One filled with demineralised water, the other filled with Tamiya X-20-A thinner and the other filled with Artists Turpentine.  You can buy wash bottles from Airbrush suppliers but they are as dear as poison, so I get mine from Tattoo suppliers, much cheaper.  I use wash bottles as opposed to just regular bottles as you can control how much fluid comes out with more accuracy from a wash bottle (requires pressure rather than gravity to get the fluid out)  I use the demineralised water between paint colours to get all the paint out, then give it a quick blow out with the Tamiya thinners in the table top cleaning station before moving onto my next colour.  I also quickly get a tooth pick or cotton tip and remove any paint build up from the nozzle protector.

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  • Disposable rubber gloves – A must for any hobbiest.  You don’t want half the stuff we use getting on your hands and absorbing into your skin.  You also don’t want to get paint on your hands either as you may transfer it onto the subject.
  • Quick release coupler – Although not technically a maintenance tool, it assists tremendously in helping to keep your set up working well.  What it basically enables you to do is remove your Airbrush from the air source without breaking the airtight seal.  Its a miniature Nitto fitting if you’re familiar with them.  Why is this helpful?  When you want to clean the Airbrush, you can just disconnect it, disassemble it, put it in the cleaning bath and not worry about air escaping from the hose, or breaking the air tight seal you created when you fitted the airbrush to the hose in the first place.  If you buy them from the specialty hobby store, expect to pay about $40+, but from the AMS they go for less than $10.  Not essential, but very convenient to have.

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  • Airbrush holder – Some airbrush compressors come with these, however I like to have a purpose built one on my desk so I can keep my air brush in it when not in use.  Again, from the specialty hobby supply shop expect around $40, from the AMS, $15…

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  • Airbrush lubricant – Used on a regular basis to keep your Airbrush needle and trigger from sticking or binding, contains no petroleum or silicone additives and can be used on all parts of the airbrush. It will not affect or react with any water-based, lacquer-based, or enamel-based paints.  Very useful and often overlooked.   Again dear as posion from the hobby shop, cheap as from the AMS.

Painting & Mixing Accessories

Again this is an often overlooked area of owning an Airbrush, but one of those things that will make life so much easier and results so much better.  Having a few of these inexpensive items will make such a massive difference to your experience and results with your Airbrush.

  • The most IMPORTANT thing you need – A quality spray mask – I can not over emphasise how important it is to use a spray mask when using an Airbrush, if you are going to use an Airbrush, use a Spray Mask.  Acrylic paint is a polymer, which we call plastic.  When acrylic paint vapour is inhaled, it sticks to the bronchus of your upper respiratory system.  Once its there, its there for life.  This is not good.  Don’t buy the cheap and nasty spray mask, get one that is specifically for spraying acrylic paints.  I buy mine from a hardware store as they are better quality and you guessed it, less expensive than the hobby store.  The good ones have a life span, make sure you keep track of how often its used and replace it when necessary.  
  • Acrylic thinners – There is a lot written about this topic.  Some good, some seriously bad.  Lets address the seriously bad advice first.  Use Windex (window cleaner).  This does have its merits, however, window cleaner contains ammonia.  When ammonia vapour is inhaled it can cause very nasty respiratory infections.  Ammonia is a very caustic and hazardous.  Just don’t use it, and anyone who says to use it to thin your paint doesn’t know their ass from their elbow when it comes to Airbrushing so politely excuse yourself from the conversation.  A good thinner for paint basically should achieve two roles.  The first is to ideally diffuse the medium that the pigment is suspended in (water or a water like substance in the case of most acrylics) thus increasing the ratio of medium to pigment.  A good substance to use for this is alcohol (not the drinking type). The reason, as opposed to using water to thin paint, is quite a technical one.  Very basically though, a water molecule is quite an open one, and alcohol molecules are able to slip between them, what this effectively does is reduce the paint’s viscosity (making it more “runny”), but proportionally does not reduce the amount of pigment density, therefore creating better and more consistent coverage when applied from an airbrush.  Basically, just use alcohol to thin your paints.  The next role a good thinner does is reduce the surface tension of the paint.  Why is this important?  Again, its a very technical answer, but it comes down to making the paint more wet, or slippery, thus helping it move through the Airbrush and coat the subject.  An example of a wetting agent is detergent.  Think about when you wash your hair with shampoo, versus just putting water on it from under a tap.  The detergent in your shampoo helps the water become more slippery and move around more, better covering your hair.  Same with paint.  So using just rubbing alcohol (often recommended on the interwebs) isn’t the whole answer, it needs a wetting agent.  So you can make your own paint thinner using alcohol and a very small amount of detergent (less than a drop) or you can just buy Tamiya A-20-X thinner.  I just just buy the stuff.  Heaps easier….
  • Pipettes – I buy them in a box of 1,000.  They are 3.5ml in size, disposable and very, very convenient.  Great for taking paint out of a paint pot and mixing it with thinners.  Will stop you pouring the paint into a mixing jar, which in turn minimises waste and keeps your paint pots clean.  They are also good for moving the thinned paint from the mixing jar into the airbrush in precise no mess amounts.
  • Mixing Jars – I get them in boxes of 200, they are made of glass, 30ml in size, have plastic lids and are great.  So useful around the painting bunker.  When bought in these quantities, they cost less than .40c and they are indispensable.  They can also be washed after they’ve been used too.  Awesome stuff.  By having air tight lids too, you can keep mixed paint for long periods of time as well.  I buy them from commercial packaging suppliers, CosPac is an example of just such a company here in Australia.

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  • Wash bottles – previously mentioned.

Compressor

This is actually a very simple aspect to buying an Airbrush.  Buy one that has these components.  1.  Holding Tank, 2. Regulator, 1/8″ outlet valve.  Most modern Airbrush compressors have all these features plus a few more and also basically run silent.  Some compressors even come with a hose and an airbrush all in one box.  Good stuff.  Great for beginners.  The first airbrush compressor I used was actually a shop compressor, it did the job very well and was very inexpensive (compared to an airbrush specific one) and had the dual use of being able to power air tools (which is handy for me).  Today I use an Airbrush specific air compressor, it has two air outlets (I use two Airbrushes), a holding tank and a regulator with inbuilt moisture trap (its very humid where I live). Expect to pay upwards of $200 for one with the three features I’ve mentioned.  Mine was closer to $400, however this is once piece of kit that isn’t to be scrimped on.  Buy quality and take care of it, and it should last well over a decade (or more)  you can buy ones that have all the features that I mentioned but don’t have a holding tank.  I would strongly recommend just saving a bit more and delaying your purchase until you have the means to get one with a holding tank.  Long term (remember their lifespan?) its a much better way to go, and you will not outgrow it, you will outgrow a compressor without a hold tank.

This is the Compressor I use now….

AT350A

Airbrush

This is the final consideration that needs to be made when getting your set up, and in my opinion for the new Airbrusher, the easiest.  There are a few considerations that we need to take into account when deciding what type of Airbrush to buy that will best suit our needs.  A few questions to ask yourself are: What is my subject matter? What is my skill level? What is my budget? How serious am I about my hobby?  What sort of results do I want to achieve?  What sort of results am I capable of achieving?

Let me run you through a quick scenario to help me illustrate a point that many hobbiest overlook (as far as I can see anyway).  Think back to when you bought your first car.  Unless you were fortunate enough, most of us got a car that was cheap (most likely second hand) and had a few miles on it.  It may have even had a scratch or two.  Was it our dream car?  Doubt it.  Was it a high performance car?  Very unlikely.  Even if budget wasn’t the most important consideration, getting say a BMW M3 as your first car probably wouldn’t have been a wise decision.  Why?  Well, when you first get your car license you don’t have much driving experience and the likelihood of being involved in a minor fender bender was high, even if you managed to avoid it, you might scuff the wheels parking it, or not knowing about car maintenance, not properly appreciate what it takes maintenance-wise to own a car like that.  In addition, your skill at driving a car would have been well below the performance threshold of such a car, so you could never come close to unlocking its potential, and besides, apart from being seen in a car like that, it just wouldn’t have been a smart idea to have such a car.

So why go and buy a $200 – $300 Airbrush as your first Airbrush?  This is one area of getting an Airbrush that really frustrates me.  I see guys go and buy an Airbrush that costs even over $100 because it can do such and such, yet in reality, very few people have the skills initially to actually use the features of these airbrushes.  Let me explain.

Airbrushes were originally used to touch up photos, then they were used to create art (late 60’s early 70’s), both of these tasks require tremendous amounts of skill from the user, and amazingly precise engineering in terms of the Airbrush.  Skill takes training and time to develop and precise engineering costs money to produce.

As modellers, the subjects that most of us want to paint, and the effects that we want to achieve with a sound level of competency, doesn’t take tremendous amounts of skill, or amazingly precise engineering.  Furthermore, I guarantee you that you will trash your first Airbrush through misuse.  You’ll drop it (minor fender bender) you’ll bend the needle tip (scuff the rims) leave dried paint in it (forget to service it, or get the wrong type of service) or a hundred other reasons why you’ll just ruin it and have to go buy a new one.  Guaranteed.  Also as I mentioned, you won’t, when you first begin, have the skills to realise a lot of the performance potential of the $100 – $300 Airbrushes, nor do you need to.  Let’s face it, you won’t be painting the eye lens of a space marine with an Airbrush, even if you had the skill.

So all you need to get when you buy an Airbrush is a two stage, gravity fed Airbrush with removable nozzle and needle, ideally with a 1/8″ thread to attach a bradded hose (with quick release coupler). There are many, many on the market now that fit this description and with the type of models we paint they are ideally suited.  The ones I use, I get from, you guessed it a AMS and cost around $50, in fact, they are currently on special and are selling for $38.  They come with 3 needles, and corresponding nozzles, and that same AMS sells all of the items that I’ve mentioned in this post.  The quality of these Airbrushes is extraordinarily high, however they just don’t have a fancy brand name on them (but look surprisingly similar…).  When cared for properly too, they will last years and years.  So don’t blow your budget on paying top dollar for an Airbrush that just doesn’t suit what we are doing, save your money and get the items mentioned in points 1, 2 and 3 of this post.  That is where the results will be created, having the right accessories, coupled with the right training.  So many hobbiest neglect getting all of the accessories and just rush out and buy an Airbrush and compressor and wonder why they get frustrated.  It doesn’t need to be like that.

The Airbrush I use these days…

161683

So to wrap up this post, before you go out and buy an Airbrush set up, get some training first.  I’m not talking about watching a few YouTube videos that some random has put up, I’m talking about accredited training from a recognised training establishment.   Its the solid foundation you need to set yourself up for success when using an Airbrush.  Next, get the right equipment.  Make sure you have an extractor (spray booth) and spray mask when painting, use the right thinners, not the cheap ones, and have the right maintenance tools to keep the airbrush clean and running smoothly.  Finally, once you have all these things squared away, get a good compressor with all the features, and finally, choose an Airbrush.  It doesn’t need to be expensive to get good results, especially for what we do.

I hope you’ve gotten something from this post, and congratulations if you’ve gotten this far, my word count says I’m up to 4,077 words… nice.

If you have any questions or queries, post them as a comments and I’ll be sure to answer them as best I can.

Until next time, thanks for stopping in

John Sutton, Brisbane, Qld

So, I finally did it, I went and brought a display cabinet for my 40k Armies yesterday.  I did quite a lot of research on what was the best choice, best value for money option, and after many months (seriously) I brought a 1800 x 900 x 450 commercial 6mm toughened glass display cabinet.  I got it from the very helpful guys are Absoe Business Equipment in West End, and it set me back $750.  It was unassembled and I had to use my Ute to get it home from (about 10 min drive from where I live)  It came in two packages and the largest one weighed about 100kgs… so yeah, it was a bit of a struggle getting it off the Ute by myself, but I managed and then set about assembling it.  Being commercial quality its built to last (a key reason why I chose it) all the fittings are robust and the base is seriously strong, with 4 castors on it too so it can be pushed around if I decided to relocate it.  The glass doors slide on ball bearing runners and also are lockable too.  So lets look at the pictures shall we?

 

The Painting Bunker Dispaly Cabinet 1 via www.thepaintingbunker.comAll my models (less unpainted, which isnt many) fit only just, don’t know how many it is or how many points it all add up to, but its a lot.  Maybe someone could work it out if you get bored?

The Painting Bunker Dispaly Cabinet Forge World Titans via www.thepaintingbunker.comThe God Machines.  You many not be aware, but where I live we’ve been getting some pretty extreme weather lately and as a result the Reavers Melta Cannon fell off.  I haven’t reattached it yet as I’m considering getting another Turbo Laser Blaster  for it.

The Painting Bunker Dispaly Cabinet Imperial Guard 1 via www.thepaintingbunker.comSo we have here most of Support Company (Snipers, DFSW, Anti-Armour & Mortars) Accompanied by a Leman Russ Tank Company, Baneblade and Macharius (I have both Turrets)

The Painting Bunker Dispaly Cabinet Imperial Guard 2 via www.thepaintingbunker.comThe Light Infantry Company with Vendettas and the rest of Support Company (Recon & Pioneers)

The Painting Bunker Dispaly Cabinet Carcharodons via www.thepaintingbunker.comThe good old Carcharodons

The Painting Bunker Dispaly Cabinet Iron Hands 1 via www.thepaintingbunker.comIron Hands with Drop Pods and Rhinos

The Painting Bunker Dispaly Cabinet Iron Hands 2 via www.thepaintingbunker.comThe dreaded Hextad of The Ancients Apoc Formation, along with Landspeeders and Terminators (Who I use in Apoc as the Death-knell formation) and some Legion of the Damned

So thats it, man cave review done.  I’m pretty happy to see all the models all on display at one place at one time.

As an aside, I’ve been working on the Forge World Realm of Battle Cityscape boards over the past few days, so with any luck I should have an update on them shortly.

Thanks for dropping in

John